those of you who have followed the progress of lex97 may be aware that the T-Shirt skeletons themselves were an unintended project tine whose existence became apparent only after the cutting of the 97 shirts to mine them for the only words that would form the project's lexicon was underway.
Because the lexicon was extracted in such a way that the 97 previously discarded shirts retained a basic t-shirt structure and were wearable, locations of extraction became frames for the absence itself or for any substitute content. This absence became quite intriguing, and the mined shirts avoided another disposal through reconfiguration of their contribution as collaborators, in form of upgrade to T-Shirt skeletons that many of you modeled, in headless fashion of course.
Because the initial idea was flexibly framed, that pliable (of a putty related to the taffy served up by The Mid-Hudson Taffy Company) framing system could be easily configured in any form that becomes necessary, so any particular form is treated as a temporary form though being temporary does not mean the configuration does not become part of the frame's identity (on some scale), information infiltrating, on some scale (could be super-diluted) the internal structure of the frame, on the level of frame genetics (which becomes, as outcome of this infiltration —mild or profound— a mutation, a reconfiguration of evolution).
—Think of as many configurations as you can to frame meanings and implications of that statement, and then extend the boundaries of that frame system of configurable meaning systems to include implications of the lexicon 97 project and circumstances related to the existence systems of t-shirts.
BUT SUCH CONSIDERATIONS DO NOT PREVENT THE T-SHIRT SKELETONS FROM BEING CONFIGURED AS EXQUISITE AND DESERVING OF BEING FEATURED IN THE SLUSSER GALLERY SHOW WITH A RAGS-TO-RAGS FASHION SHOW (captured and put on youtube to give back to the world, the world that is involved and entangled in all facets [all possible t-shirt system & subsystem framing systems] of t-shirt existence, including the materiality of t-shirts, the fiber of which they're made, their complex substance):
Please listen to Are My Hands Clean (the story of a blouse)
as performed by Sweet Honey in the Rock
(Lyrics and music by Bernice Johnson Reagon. Songtalk Publishing Co. 1985)
and let the song have a chance to mingle with some aspect of your frame of thought (possibly tweaking its configuration here and there, if but for a brief moment) before going on to see the T-Shirt Skeletons: Rags to Rags video again or for a first time. Thanks.